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Вуаль (2016 )
Excitingly chilling and grimly surreal, although few of its grander vows are only partially kept
The premise of cult suicide eerily resembles real life tragedy, perhaps it is such intended effect. A cult leader Jim Jacobs (Thomas Jane) allegedly leads his congregation to their deaths in a promise of unworldly reward. In a pleasant surprise Thomas Jane is bizarrely fitting cast for the charismatic leader. He's been delivering good characters in last few years and he seems to get better each time.
After the events of mass suicide, a sole survivor is found, Sarah Hope (Lily Rabe). It takes her 25 years but she eventually returns to the site with a film crew. The Veil already produces anticipation more than the usual documentary crew fumbling into uncharted territory.
Its premise and ambiance are presentable, often using grey tone and cryptic air to its advantage. Although it uses found footage element, it doesn't force the gimmick for the entirety of the movie, thus it could show the past and present sequences freely.
Most of the horrors are based on foundation of Jim Jacobs' cult, which effectively produces a creepy setting. Furthermore, Thomas Jane as the prophet role has a way to allure interest as well as secretively shows some hints of violence. He's magnetic but still a shady person. The dark forest gives a proper visual for the ordeal, maintaining the sense of isolation well.
Unfortunately, few of the potentials for the scare end up in predictable fashion or blunt jump scares. Aside from Sarah Hope and the lead director Maggie (Jessica Alba), the rest of cast are not fully fleshed out. Still, the mystery effect and the appropriately crafted presentation manage to construct overall frightening atmosphere.
The Veil rallies and promises a great horror from its harrowing cultist vibe. It stutters a bit towards the end, contrasting the good basis it has set, yet the narrative and atmosphere still create gratifyingly creepy experience.
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